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How
did you decide on art as your career?
I’m just not very good at anything else, and digging ditches all
day long is exhausting!
Was
this a natural skill or did it come about with years of practice? Or both?
I like to think both. There are some areas of my drawing that have taken
me a long time to refine, and some areas that still need a lot of work.
But if I didn’t enjoy it I wouldn’t try to improve, and if
I didn’t see any improvement... well you get the idea.
Where
did you study art?
On the cold, hard streets!
What
is the attraction to doing all pencil work?
I don’t always work exclusively in pencil; the major factor is time.
It’s so much faster for me to finish up with pencil than to start
a new process. I know there are guys who can ink an entire page faster
than you could with pencil, but unfortunately I’m not one of them.
That is one of those things that I’m working to improve.
How
did you get your first job and what was it?
I found a sample script of Jason DeGroot’s online that I was really
impressed with. I contacted him to show him some samples of my work based
on the script. Not long after that, he asked me if I would like to work
with him on a couple of things. Before I knew it, I was his official dog-walker.
What
was your favorite work experience to date?
This may sound disingenuous but; whatever I’m working on at the
time is what I am enjoying the most. That may change further down the
road, but I hope not.
What
are some of your inspirations that guide you in your work?
There are too many to list: Wally Wood, Will Eisner, Bernie Wrightson,
Steve Ditko, Jack Kirby, Neal Adams, Dave Sim, Gene Colan, Brian Bolland,
Dave Gibbons, Scott McCloud, Travis Charest, John Buscema, Gil Kane, Howard
Chaykin, Paul Chadwick, John Romita, Gustav Klimt and many, many more.
I could drone on indefinitely. I’m inspired by each of them for
different reasons.
Does
having an infant affect your work methods?
Holy cow, yes!
How
does your family affect your working habits? How does how you work now
compare to how you used to?
First off, I have to say that my wife has been incredibly supportive.
She’s always giving me words of encouragement, like… “Will
you please go over there and draw?” or “Leave me alone, don’t
you have work to do?” and “Use a coaster!”
Just kidding, honey.
I
don’t think it will shock anyone to know that your work habits change
when there are children to consider. My art is a huge part of my life,
but there is nothing more important to me than my girls. Everything takes
a backseat when either of them needs me. I only get to see my oldest daughter
every other weekend, so when she’s visiting work is a secondary
thought, and my little 6 month old needs pretty much constant attention.
Hey, It’s nice to feel needed.
There
was once a time that I could sit down and draw or paint for an entire
weekend without interruption. Now, I really have to plan ahead for pockets
of useful time. It can be hectic at times, but I honestly couldn’t
be happier.
What
are some of the ways you approach doing a piece?
Always from the front… Other than that, it depends on how familiar
I am with the subject matter. If it’s about submarines, I do some
research and a bunch of sketches. Otherwise I go straight to composition
roughs.
Talk
about the blog. What made you decide to start it?
I wanted all of the excitement of a web site with none of the actual work
involved in setting one up. Plus, with a blog you don’t have to
worry about having any of those pesky “visitors” taking a
look around.
What
got you into comics?
I blame it all on David Mazzucchelli & Dennis Janke: Daredevil #226
Do
you have any favorite comic books or characters currently being put out?
The Black Coat. Francesco Francavilla is amazing.
What
is the Kwiddex Protocol?
Is this a trick question? It’s a Jason DeGroot written story published
by Repercussion Comics. It’s everyday people, in extraordinary circumstances
and real world consequences.
How
did you get involved with the Comicbook Artists Guild
(CAG) and Guild Works Productions (GWP)?
I have Jason to thank for being a part of the CAG and
Mark Mazz from GWP contacted me through that. It was
really fortunate for me.
What
was your approach to doing your cover for GWP’s
Psychosis! publication?
Keith Murphey and Mark Mazz sent some character designs and the script
for the story. It seemed to really lend itself well to an old style horror
movie poster. I sent them some roughs and we went on from there.
What
advice would you have to give to people looking to break into the field?
How about: Don’t give up? Too cliché?
What
would be your dream project if you had the opportunity to work on it?
Anything involving Stan Lee.
If
you were a superhero, your catch phrase would be:
Honey, Where is my pencil? No not that pencil, the other one! I left it
right here, it’s not like it got up and walked away... Oh here it
is, sorry.
What
should our readers be on the lookout for from you in coming months?
The Kwiddex Protocol! Written By Jason DeGroot & published by Repercussion
Comics.
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2007 Atomic Media Group
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